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	<title>Ercolano - Stages of Goethe&#039;s Grand Tour - Unreal Goethe</title>
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	<title>Ercolano - Stages of Goethe&#039;s Grand Tour - Unreal Goethe</title>
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		<title>The third ascent of Vesuvius, the lava</title>
		<link>https://goethe.reise/en/grandtour/ercolano-vesuvio-terza-salita/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ercolano-vesuvio-terza-salita</link>
		
		<dc:creator><![CDATA[spun]]></dc:creator>
		<pubDate>Fri, 18 Sep 2026 10:41:05 +0000</pubDate>
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					<description><![CDATA[<p>A lava flow invisible from Naples is descending towards Ottaviano: a third ascent.</p>
<p>L'articolo <a href="https://goethe.reise/en/grandtour/ercolano-vesuvio-terza-salita/">The third ascent of Vesuvius, the lava</a> proviene da <a href="https://goethe.reise/en/home">Unreal Goethe</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">A lava flow invisible from Naples is descending towards Ottaviano: a third ascent. Beneath the cone the lava emerges from the smoke and runs in a channel it builds for itself; Goethe stands on the hardened crust until the heat drives him back. At sunset: the terrible and the beautiful cancel each other out.</p>



<h2 class="wp-block-heading">Naples, 20 March 1787</h2>



<div class="ug-audio" data-lang="en" data-voce="de-1787-03-20-neapel-0144" data-src=""><button type="button" class="ug-audio__play" aria-label="Listen to the diary page"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/25b6.png" alt="▶" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Listen</button><audio class="ug-audio__player" preload="none"></audio></div>



<p class="wp-block-paragraph">The news that an eruption of lava had just commenced, which, taking the direction of Ottajano, was invisible at Naples, tempted me to visit Vesuvius for the third time. Scarcely had I jumped out of my cabriolet (zweirädrigen einpferdigen Fuhrwerk), at the foot of the mountain, when immediately appeared the two guides who had accompanied us on our previous ascent. I had no wish to do without either, but took one out of gratitude and custom, the other for reliance on his judgment,&#8211;and the two for the greater convenience. Having ascended the summit, the older guide remained with our cloaks and refreshment, while the younger followed me, and we boldly went straight towards a dense volume of smoke, which broke forth from the bottom of the funnel; then we quickly went downwards by the side of it, till at last, under the clear heaven, we distinctly saw the lava emitted from the rolling clouds of smoke.</p>



<p class="wp-block-paragraph">We may hear an object spoken of a thousand times, but its peculiar features will never be caught till we see it with our own eyes. The stream of lava was small, not broader perhaps than ten feet, but the way in which it flowed down a gentle and tolerably smooth plain was remarkable. As it flowed along, it cooled both on the sides and on the surface, so that it formed a sort of canal, the bed of which was continually raised in consequence of the molten mass congealing even beneath the fiery stream, which, with uniform action, precipitated right and left the scoria which were floating on its surface. In this way a regular dam was at length thrown up, in which the glowing stream flowed on as quietly as any mill-stream. We passed along the tolerably high dam, while the scoria rolled regularly off the sides at our feet. Some cracks in the canal afforded opportunity of looking at the living stream from below, and as it rushed onwards, we observed it from above.</p>



<p class="wp-block-paragraph">A very bright sun made the glowing lava look dull; but a moderate steam rose from it into the pure air. I felt a great desire to go nearer to the point where it broke out from the mountain; there my guide averred, it at once formed vaults and roofs above itself, on which he had often stood. To see and experience this phenomenon, we again ascended the hill, in order to come from behind to this point. Fortunately at this moment the place was cleared by a pretty strong wind, but not entirely, for all round it the smoke eddied from a thousand crannies; and now at last we stood on the top of the solid roof, (which looked like a hardened mass of twisted dough), but which, however, projected so far outwards, that it was impossible to see the welling lava.</p>



<p class="wp-block-paragraph">We ventured about twenty steps further, but the ground on which we stepped became hotter and hotter, while around us rolled an oppressive steam, which obscured and hid the sun; the guide, who was a few steps in advance of me, presently turned back, and seizing hold of me, hurried out of this Stygian exhalation.</p>



<p class="wp-block-paragraph">After we had refreshed our eyes with the clear prospect, and washed our gums and throat with wine, we went round again to notice any other peculiarities which might characterise this peak of hell, thus rearing itself in the midst of a Paradise. I again observed attentively some chasms, in appearance like so many Vulcanic forges, which emitted no smoke, but continually shot out a steam of hot glowing air. They were all tapestried, as it were, with a kind of stalactite, which covered the funnel to the top, with its knobs and chintz-like variation of colours. In consequence of the irregularity of the forges, I found many specimens of this sublimation hanging within reach, so that, with our staves and a little contrivance, we were able to hack off a few, and to secure them. I saw in the shops of the dealers in lava similar specimens, labelled simply &#8220;Lava;&#8221; and I was delighted to have discovered that it was volcanic soot precipitated from the hot vapour, and distinctly exhibiting the sublimated mineral particles which it contained.</p>



<p class="wp-block-paragraph">The most glorious of sunsets, a heavenly evening, refreshed me on my return; still I felt how all great contrasts confound the mind and senses. From the terrible to the beautiful&#8211;from the beautiful to the terrible; each destroys the other, and produces a feeling of indifference. Assuredly, the Neapolitan would be quite a different creature, did he not feel himself thus hemmed in between Elysium and Tartarus.</p>



<details class="wp-block-details is-layout-flow wp-block-details-is-layout-flow"><summary>Original German text · Neapel, Dienstag, den 20. März 1787.</summary><p>Die Kunde einer soeben ausbrechenden Lava, die, für Neapel unsichtbar, nach Ottajano hinunterfließt, reizte mich, zum dritten Male den Vesuv zu besuchen. Kaum war ich am Fuße desselben aus meinem zweirädrigen, einpferdigen Fuhrwerk gesprungen, so zeigten sich schon jene beiden Führer, die uns früher hinaufbegleitet hatten. Ich wollte keinen missen und nahm den einen aus Gewohnheit und Dankbarkeit, den andern aus Vertrauen, beide der mehreren Bequemlichkeit wegen mit mir.</p><p>Auf die Höhe gelangt, blieb der eine bei den Mänteln und Viktualien, der jüngere folgte mir, und wir gingen mutig auf einen ungeheuren Dampf los, der unterhalb des Kegelschlundes aus dem Berge brach; sodann schritten wir an dessen Seite her gelind hinabwärts, bis wir endlich unter klarem Himmel aus dem wilden Dampfgewölke die Lava hervorquellen sahen.</p><p>Man habe auch tausendmal von einem Gegenstande gehört, das Eigentümliche desselben spricht nur zu uns aus dem unmittelbaren Anschauen. Die Lava war schmal, vielleicht nicht breiter als zehn Fuß, allein die Art, wie sie eine sanfte, ziemlich ebene Fläche hinabfloß, war auffallend genug; denn indem sie während des Fortfließens an den Seiten und an der Oberfläche verkühlt, so bildet sich ein Kanal, der sich immer erhöht, weil das geschmolzene Material auch unterhalb des Feuerstroms erstarrt, welcher die auf der Oberfläche schwimmenden Schlacken rechts und links gleichförmig hinunterwirft, wodurch sich denn nach und nach ein Damm erhöht, auf welchem der Glutstrom ruhig fortfließt wie ein Mühlbach. Wir gingen neben dem ansehnlich erhöhten Damme her, die Schlacken rollten regelmäßig an den Seiten herunter bis zu unsern Füßen. Durch einige Lücken des Kanals konnten wir den Glutstrom von unten sehen und, wie er weiter hinabfloß, ihn von oben beobachten.</p><p>Durch die hellste Sonne erschien die Glut verdüstert, nur ein mäßiger Rauch stieg in die reine Luft. Ich hatte Verlangen, mich dem Punkte zu nähern, wo sie aus dem Berge bricht; dort sollte sie, wie mein Führer versicherte, sogleich Gewölb und Dach über sich her bilden, auf welchem er öfters gestanden habe. Auch dieses zu sehen und zu erfahren, stiegen wir den Berg wieder hinauf, um jenem Punkte von hintenher beizukommen. Glücklicherweise fanden wir die Stelle durch einen lebhaften Windzug entblößt, freilich nicht ganz, denn ringsum qualmte der Dampf aus tausend Ritzen, und nun standen wir wirklich auf der breiartig gewundenen, erstarrten Decke, die sich aber so weit vorwärts erstreckte, daß wir die Lava nicht konnten herausquellen sehen.</p><p>Wir versuchten noch ein paar Dutzend Schritte, aber der Boden ward immer glühender; sonneverfinsternd und erstickend wirbelte ein unüberwindlicher Qualm. Der vorausgegangene Führer kehrte bald um, ergriff mich, und wir entwanden uns diesem Höllenbrudel.</p><p>Nachdem wir die Augen an der Aussicht, Gaumen und Brust aber am Weine gelabt, gingen wir umher, noch andere Zufälligkeiten dieses mitten im Paradies aufgetürmten Höllengipfels zu beobachten. Einige Schlünde, die als vulkanische Essen keinen Rauch, aber eine glühende Luft fortwährend gewaltsam ausstoßen, betrachtete ich wieder mit Aufmerksamkeit. Ich sah sie durchaus mit einem tropfsteinartigen Material tapeziert, welches zitzen- und zapfenartig die Schlünde bis oben bekleidete. Bei der Ungleichheit der Essen fanden sich mehrere dieser herabhängenden Dunstprodukte ziemlich zur Hand, so daß wir sie mit unsern Stäben und einigen hakenartigen Vorrichtungen gar wohl gewinnen konnten. Bei dem Lavahändler hatte ich schon dergleichen Exemplare unter der Rubrik der wirklichen Laven gefunden, und ich freute mich, entdeckt zu haben, daß es vulkanischer Ruß sei, abgesetzt aus den heißen Schwaden, die darin enthaltenen verflüchtigten mineralischen Teile offenbarend.</p><p>Der herrlichste Sonnenuntergang, ein himmlischer Abend erquickten mich auf meiner Rückkehr; doch konnte ich empfinden, wie sinneverwirrend ein ungeheurer Gegensatz sich erweise. Das Schreckliche zum Schönen, das Schöne zum Schrecklichen, beides hebt einander auf und bringt eine gleichgültige Empfindung hervor. Gewiß wäre der Neapolitaner ein anderer Mensch, wenn er sich nicht zwischen Gott und Satan eingeklemmt fühlte.</p></details>



<h2 class="wp-block-heading">Today</h2>



<figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="2400" height="1602" src="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm2.jpg" alt="The rim and walls of the crater of the Great Cone of Vesuvius today. Photo Norbert Nagel, Wikimedia Commons, CC BY-SA 3.0." class="wp-image-9103" srcset="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm2.jpg 2400w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm2-300x200.jpg 300w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm2-1024x684.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm2-768x513.jpg 768w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm2-1536x1025.jpg 1536w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm2-2048x1367.jpg 2048w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm2-415x277.jpg 415w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm2-650x434.jpg 650w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm2-250x167.jpg 250w" sizes="(max-width: 2400px) 100vw, 2400px" /><figcaption class="wp-element-caption">The rim and walls of the crater of the Great Cone of Vesuvius today. Photo Norbert Nagel, Wikimedia Commons, CC BY-SA 3.0.</figcaption></figure>



<p class="wp-block-paragraph">The Great Cone, north-eastern slope towards Ottaviano, in the Vesuvius National Park; the exact spot cannot be identified.</p>



<p class="wp-block-paragraph">Where: Gran Cono del Vesuvio, Parco Nazionale del Vesuvio (NA)</p>



<h2 class="wp-block-heading">Works and documents</h2>



<figure class="wp-block-image size-large"><img decoding="async" width="2400" height="1235" src="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm0.jpg" alt="Pietro Fabris, visitors beside a lava flow on Vesuvius, 1771, plate XXXVIII of William Hamilton's Campi Phlegraei. Public domain, Wikimedia Commons." class="wp-image-9101" srcset="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm0.jpg 2400w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm0-300x154.jpg 300w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm0-1024x527.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm0-768x395.jpg 768w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm0-1536x790.jpg 1536w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm0-2048x1054.jpg 2048w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm0-415x214.jpg 415w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm0-650x334.jpg 650w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm0-250x129.jpg 250w" sizes="(max-width: 2400px) 100vw, 2400px" /><figcaption class="wp-element-caption">Pietro Fabris, visitors beside a lava flow on Vesuvius, 1771, plate XXXVIII of William Hamilton&#8217;s Campi Phlegraei. Public domain, Wikimedia Commons.</figcaption></figure>



<figure class="wp-block-image size-large"><img decoding="async" width="2400" height="1724" src="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm1.jpg" alt="Pierre-Jacques Volaire, eruption of Vesuvius with the lava flow at night, 1771 (Warsaw, National Museum). Public domain, Wikimedia Commons." class="wp-image-9102" srcset="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm1.jpg 2400w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm1-300x216.jpg 300w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm1-1024x736.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm1-768x552.jpg 768w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm1-1536x1103.jpg 1536w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm1-2048x1471.jpg 2048w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm1-415x298.jpg 415w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm1-650x467.jpg 650w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-wm1-250x180.jpg 250w" sizes="(max-width: 2400px) 100vw, 2400px" /><figcaption class="wp-element-caption">Pierre-Jacques Volaire, eruption of Vesuvius with the lava flow at night, 1771 (Warsaw, National Museum). Public domain, Wikimedia Commons.</figcaption></figure>



<h2 class="wp-block-heading">AI reconstruction</h2>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1344" height="752" src="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-1787-ricostruzione-ai.jpg" alt="The third ascent, 20 March 1787: the lava issues from the smoke and runs in a channel it builds for itself, like a mill race. At sunset the terrible and the beautiful cancel each other out. AI reconstruction (SPUN, 2026)." class="wp-image-9080" srcset="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-1787-ricostruzione-ai.jpg 1344w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-1787-ricostruzione-ai-300x168.jpg 300w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-1787-ricostruzione-ai-1024x573.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-1787-ricostruzione-ai-768x430.jpg 768w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-1787-ricostruzione-ai-415x232.jpg 415w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-1787-ricostruzione-ai-650x364.jpg 650w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-terza-salita-1787-ricostruzione-ai-250x140.jpg 250w" sizes="(max-width: 1344px) 100vw, 1344px" /><figcaption class="wp-element-caption">The third ascent, 20 March 1787: the lava issues from the smoke and runs in a channel it builds for itself, like a mill race. At sunset the terrible and the beautiful cancel each other out. AI reconstruction (SPUN, 2026).</figcaption></figure>



<h2 class="wp-block-heading">Further reading</h2>



<ul class="wp-block-list">
<li><a href="https://goethe.reise/?p=8539">The First Ascent of Vesuvius</a></li>
</ul>



<h2 class="wp-block-heading">Sources</h2>



<p class="wp-block-paragraph">J.W. Goethe, Italienische Reise, original German text (public domain).</p>



<p class="wp-block-paragraph">Translated by A.J.W. Morrison (Goethe&#8217;s Travels in Italy, London, Bell; public domain).</p>


<p>L'articolo <a href="https://goethe.reise/en/grandtour/ercolano-vesuvio-terza-salita/">The third ascent of Vesuvius, the lava</a> proviene da <a href="https://goethe.reise/en/home">Unreal Goethe</a>.</p>
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			</item>
		<item>
		<title>The buried theatre of Herculaneum</title>
		<link>https://goethe.reise/en/grandtour/ercolano-teatro-antico/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ercolano-teatro-antico</link>
		
		<dc:creator><![CDATA[spun]]></dc:creator>
		<pubDate>Fri, 18 Sep 2026 10:40:58 +0000</pubDate>
				<guid isPermaLink="false">https://goethe.reise/?post_type=museum&#038;p=8611</guid>

					<description><![CDATA[<p>The city at the foot of Vesuvius lies buried under sixty feet of material.</p>
<p>L'articolo <a href="https://goethe.reise/en/grandtour/ercolano-teatro-antico/">The buried theatre of Herculaneum</a> proviene da <a href="https://goethe.reise/en/home">Unreal Goethe</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">The city at the foot of Vesuvius lies buried under sixty feet of material. One descends sixty steps and, by torchlight, admires the theatre that once stood under the open sky; Goethe regrets that the excavation was not carried out methodically, by German miners.</p>



<h2 class="wp-block-heading">Naples, 18 March 1787</h2>



<div class="ug-audio" data-lang="en" data-voce="de-1787-03-18-neapel-0142" data-src=""><button type="button" class="ug-audio__play" aria-label="Listen to the diary page"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/25b6.png" alt="▶" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Listen</button><audio class="ug-audio__player" preload="none"></audio></div>



<p class="wp-block-paragraph">We must not any longer put off our visit to Herculaneum, and the Museum of Portici, where the curiosities which have been dug out of it are collected and preserved. That ancient city, lying at the foot of Vesuvius, was entirely covered with lava, which subsequent eruptions successively raised so high, that the buildings are at present sixty feet below the surface. The city was discovered by some men coming upon a marble pavement, as they were digging a well. It is a great pity that the excavation was not executed systematically by German miners; for it is admitted that the work, which was carried on at random, and with the hope of plunder, has spoilt many a noble monument of ancient art. After descending sixty steps into a pit, by torch-light you gaze in admiration at the theatre which once stood beneath the open sky, and listen to the guide recounting all that was found there, and carried off.</p>



<details class="wp-block-details is-layout-flow wp-block-details-is-layout-flow"><summary>Original German text · Neapel, den 18. März 1787.</summary><p>Nun durften wir nicht länger säumen, Herkulanum und die ausgegrabene Sammlung in Portici zu sehen. Jene alte Stadt, am Fuße des Vesuvs liegend, war vollkommen mit Lava bedeckt, die sich durch nachfolgende Ausbrüche erhöhte, so daß die Gebäude jetzt sechzig Fuß unter der Erde liegen. Man entdeckte sie, indem man einen Brunnen grub und auf getäfelte Marmorfußböden traf. Jammerschade, daß die Ausgrabung nicht durch deutsche Bergleute recht planmäßig geschehen; denn gewiß ist bei einem zufällig räuberischen Nachwühlen manches edle Altertum vergeudet worden. Man steigt sechzig Stufen hinunter in eine Gruft, wo man das ehmals unter freiem Himmel stehende Theater bei Fackelschein anstaunt und sich erzählen läßt, was alles da gefunden und hinaufgeschafft worden.</p></details>



<h2 class="wp-block-heading">Today</h2>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="2400" height="1877" src="https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm2.jpg" alt="The old entrance to the underground theatre of Herculaneum on Corso Resina. Photo Dommaria, Wikimedia Commons, CC BY-SA 3.0." class="wp-image-9098" srcset="https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm2.jpg 2400w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm2-300x235.jpg 300w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm2-1024x801.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm2-768x601.jpg 768w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm2-1536x1201.jpg 1536w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm2-2048x1602.jpg 2048w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm2-415x325.jpg 415w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm2-650x508.jpg 650w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm2-250x196.jpg 250w" sizes="(max-width: 2400px) 100vw, 2400px" /><figcaption class="wp-element-caption">The old entrance to the underground theatre of Herculaneum on Corso Resina. Photo Dommaria, Wikimedia Commons, CC BY-SA 3.0.</figcaption></figure>



<p class="wp-block-paragraph">The ancient theatre of Herculaneum, visited underground with its entrance on Corso Resina, outside the open-air excavations.</p>



<p class="wp-block-paragraph">Where: Teatro antico di Ercolano, Corso Resina, 80056 Ercolano (NA)</p>



<h2 class="wp-block-heading">Works and documents</h2>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="2400" height="1790" src="https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm0.jpg" alt="Plan of the ancient theatre of Herculaneum, etching from the Piranesi workshop (probably Francesco Piranesi), late eighteenth century. Public domain, Wikimedia Commons." class="wp-image-9096" srcset="https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm0.jpg 2400w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm0-300x224.jpg 300w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm0-1024x764.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm0-768x573.jpg 768w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm0-1536x1146.jpg 1536w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm0-2048x1527.jpg 2048w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm0-590x440.jpg 590w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm0-415x310.jpg 415w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm0-650x485.jpg 650w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm0-250x186.jpg 250w" sizes="(max-width: 2400px) 100vw, 2400px" /><figcaption class="wp-element-caption">Plan of the ancient theatre of Herculaneum, etching from the Piranesi workshop (probably Francesco Piranesi), late eighteenth century. Public domain, Wikimedia Commons.</figcaption></figure>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="2280" height="872" src="https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm1.jpg" alt="François Mazois, reconstruction of the stage of the theatre of Herculaneum, early nineteenth century. Public domain, Wikimedia Commons." class="wp-image-9097" srcset="https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm1.jpg 2280w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm1-300x115.jpg 300w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm1-1024x392.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm1-768x294.jpg 768w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm1-1536x587.jpg 1536w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm1-2048x783.jpg 2048w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm1-415x159.jpg 415w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm1-650x249.jpg 650w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-wm1-250x96.jpg 250w" sizes="(max-width: 2280px) 100vw, 2280px" /><figcaption class="wp-element-caption">François Mazois, reconstruction of the stage of the theatre of Herculaneum, early nineteenth century. Public domain, Wikimedia Commons.</figcaption></figure>



<h2 class="wp-block-heading">AI reconstruction</h2>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1344" height="752" src="https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-1787-ricostruzione-ai.jpg" alt="The descent into the buried theatre of Herculaneum, 18 March 1787: sixty steps down and, by torchlight, the tiers of seats emerging from the tuff. AI reconstruction (SPUN, 2026)." class="wp-image-9076" srcset="https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-1787-ricostruzione-ai.jpg 1344w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-1787-ricostruzione-ai-300x168.jpg 300w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-1787-ricostruzione-ai-1024x573.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-1787-ricostruzione-ai-768x430.jpg 768w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-1787-ricostruzione-ai-415x232.jpg 415w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-1787-ricostruzione-ai-650x364.jpg 650w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-teatro-antico-1787-ricostruzione-ai-250x140.jpg 250w" sizes="(max-width: 1344px) 100vw, 1344px" /><figcaption class="wp-element-caption">The descent into the buried theatre of Herculaneum, 18 March 1787: sixty steps down and, by torchlight, the tiers of seats emerging from the tuff. AI reconstruction (SPUN, 2026).</figcaption></figure>



<h2 class="wp-block-heading">Sources</h2>



<p class="wp-block-paragraph">J.W. Goethe, Italienische Reise, original German text (public domain).</p>



<p class="wp-block-paragraph">Translated by A.J.W. Morrison (Goethe&#8217;s Travels in Italy, London, Bell; public domain).</p>


<p>L'articolo <a href="https://goethe.reise/en/grandtour/ercolano-teatro-antico/">The buried theatre of Herculaneum</a> proviene da <a href="https://goethe.reise/en/home">Unreal Goethe</a>.</p>
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		<item>
		<title>The second ascent of Vesuvius</title>
		<link>https://goethe.reise/en/grandtour/ercolano-vesuvio-seconda-salita/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ercolano-vesuvio-seconda-salita</link>
		
		<dc:creator><![CDATA[spun]]></dc:creator>
		<pubDate>Fri, 18 Sep 2026 10:40:36 +0000</pubDate>
				<guid isPermaLink="false">https://goethe.reise/?post_type=museum&#038;p=8593</guid>

					<description><![CDATA[<p>With Tischbein, who loathes the shapelessness of the volcano: two guides haul them up by a leather strap.</p>
<p>L'articolo <a href="https://goethe.reise/en/grandtour/ercolano-vesuvio-seconda-salita/">The second ascent of Vesuvius</a> proviene da <a href="https://goethe.reise/en/home">Unreal Goethe</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">With Tischbein, who loathes the shapelessness of the volcano: two guides haul them up by a leather strap. Goethe times the pauses between eruptions and runs with the younger guide to the rim of the crater; the thunder surprises them and they come down covered in ash.</p>



<h2 class="wp-block-heading">Naples, 6 March 1787</h2>



<div class="ug-audio" data-lang="en" data-voce="de-1787-03-06-neapel-0131" data-src=""><button type="button" class="ug-audio__play" aria-label="Listen to the diary page"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/25b6.png" alt="▶" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Listen</button><audio class="ug-audio__player" preload="none"></audio></div>



<p class="wp-block-paragraph">Most reluctantly, yet, for the sake of good-fellowship, Tischbein accompanied me to-day to Vesuvius. To him—the artist of form, who concerns himself with none but the most beautiful of human and animal shapes, and one also whose taste and judgment lead to humanise even the formless rock and landscape,—such a frightful and shapeless conglomeration of matter, which, moreover, is continually preying on itself, and proclaiming war against every idea of the beautiful, must have appeared utterly abominable.</p>



<p class="wp-block-paragraph">We started in two caleches, as we did not trust ourselves to drive through the crowd and whirl of the city. The drivers kept up an incessant shouting at the top of their voice whenever donkeys with their loads of wood or rubbish, or rolling caleches met us, or else warning the porters with their burdens, or other pedestrians, whether children or old people to get out of the way. All the while, however, they drove at a sharp trot, without the least stop or check.</p>



<p class="wp-block-paragraph">As you get into the remoter suburbs and gardens, the road soon begins to show signs of a Plutonic action. For as we had not had rain for a long time, the naturally evergreen leaves were covered with a thick gray and ashy dust; so that the glorious blue sky, and the scorching sun which shone down upon us, were the only signs that we were still among the living.</p>



<p class="wp-block-paragraph">At the foot of the steep ascent, we were received by two guides, one old, the other young, but both active fellows. The first pulled me up the path, the other Tischbein,—pulled I say, for these guides are girded round the waist with a leathern belt, which the traveller takes hold of, and being drawn up by his guide, makes his way the easier with foot and staff. In this manner we reached the flat from which the cone rises: towards the north lay the ruins of the Somma.</p>



<p class="wp-block-paragraph">A glance westwards over the country beneath us, removed, as well as a bath could, all feeling of exhaustion and fatigue, and we now went round the ever-smoking cone, as it threw out its stones and ashes. Wherever the space allowed of our viewing it at a sufficient distance, it appeared a grand and elevating spectacle. In the first place, a violent thundering toned forth from its deepest abyss, then stones of larger and smaller sizes were showered into the air by thousands, and enveloped by clouds of ashes. The greatest part fell again into the gorge; the rest of the fragments, receiving a lateral inclination, and falling on the outside of the crater, made a marvellous rumbling noise. First of all the larger masses plumped against the side, and rebounded with a dull heavy sound; then the smaller came rattling down; and last of all, drizzled a shower of ashes. All this took place at regular intervals, which by slowly counting, we were able to measure pretty accurately.</p>



<p class="wp-block-paragraph">Between the Somma, however, and the cone the space is narrow enough; moreover, several stones fell around us, and made the circuit anything but agreeable. Tischbein now felt more disgusted than ever with Vesuvius, as the monster, not content with being hateful, showed an inclination to become mischievous also.</p>



<p class="wp-block-paragraph">As, however, the presence of danger generally exercises on man a kind of attraction, and calls forth a spirit of opposition in the human breast to defy it, I bethought myself that, in the interval of the eruptions, it would be possible to climb up the cone to the crater, and to get back before it broke out again. I held a council on this point with our guides under one of the overhanging rocks of the Somma, where, encamped in safety, we refreshed ourselves with the provisions we had brought with us. The younger guide was willing to run the risk with me; we stuffed our hats full of linen and silk handkerchiefs, and, staff in hand, we prepared to start, I holding on to his girdle.</p>



<p class="wp-block-paragraph">The little stones were yet rattling around us, and the ashes still drizzling, as the stalwart youth hurried forth with me across the hot glowing rubble. We soon stood on the brink of the vast chasm, the smoke of which, although a gentle air was bearing it away from us, unfortunately veiled the interior of the crater, which smoked all round from a thousand crannies. At intervals, however, we caught sight through the smoke of the cracked walls of the rock. The view was neither instructive nor delightful; but for the very reason that one saw nothing, one lingered in the hope of catching a glimpse of something more; and so we forgot our slow counting. We were standing on a narrow ridge of the vast abyss: of a sudden the thunder pealed aloud; we ducked our heads involuntarily, as if that would have rescued us from the precipitated masses. The smaller stones soon rattled, and without considering that we had again an interval of cessation before us, and only too much rejoiced to have outstood the danger, we rushed down and reached the foot of the hill, together with the drizzling ashes, which pretty thickly covered our heads and shoulders.</p>



<p class="wp-block-paragraph">Tischbein was heartily glad to see me again. After a little scolding and a little refreshment, I was able to give my especial attention to the old and new lava. And here the elder of the guides was able to instruct me accurately in the signs by which the age of the several strata was indicated. The older were already covered with ashes, and rendered quite smooth; the newer, especially those which had cooled slowly, presented a singular appearance. As, sliding along, they carried away with them the solid objects which lay on the surface, it necessarily happened that from time to time several would come into contact with each other, and these again being swept still further by the molten stream, and pushed one over the other, would eventually form a solid mass with wonderful jags and corners, still more strange even than the somewhat similarly formed piles of the icebergs. Among this fused and waste matter I found many great rocks, which, being struck with a hammer, present on the broken face a perfect resemblance to the primeval rock formation. The guides maintained that these were old lava from the lowest depths of the mountain, which are very often thrown up by the volcano.</p>



<p class="wp-block-paragraph">Upon our return to Naples, we noticed some small houses of only one story, and of a remarkable appearance and singular build, without windows, and receiving all their light from the doors, which opened on the road. The inhabitants sit before them at the door from the morning to the night, when they at last retire to their holes.</p>



<p class="wp-block-paragraph">The city, which in the evening is all of a tumult, though of a different kind from the day, extorted from me the wish that I might be able to stay here for some time, in order to sketch to the best of my powers the moving scene. It will not, however, be possible.</p>



<details class="wp-block-details is-layout-flow wp-block-details-is-layout-flow"><summary>Original German text · Neapel, den 6. März 1787.</summary><p>Obgleich ungern, doch aus treuer Geselligkeit, begleitete Tischbein mich heute auf den Vesuv. Ihm, dem bildenden Künstler, der sich nur immer mit den schönsten Menschen- und Tierformen beschäftigt, ja das Ungeformte selbst, Felsen und Landschaften, durch Sinn und Geschmack vermenschlicht, ihm wird eine solche furchtbare, ungestalte Aufhäufung, die sich immer wieder selbst verzehrt und allem Schönheitsgefühl den Krieg ankündigt, ganz abscheulich vorkommen.</p><p>Wir fuhren auf zwei Kalessen, weil wir uns als Selbstführer durch das Gewühl der Stadt nicht durchzuwinden getrauten. Der Fahrende schreit unaufhörlich: &#8220;Platz, Platz!&#8221;, damit Esel, Holz oder Kehricht Tragende, entgegenrollende Kalessen, lastschleppende oder frei wandelnde Menschen, Kinder und Greise sich vorsehen, ausweichen, ungehindert aber der scharfe Trab fortgesetzt werde.</p><p>Der Weg durch die äußersten Vorstädte und Gärten sollte schon auf etwas Plutonisches hindeuten. Denn da es lange nicht geregnet, waren von dickem, aschgrauem Staube die von Natur immergrünen Blätter überdeckt, alle Dächer, Gurtgesimse und was nur irgend eine Fläche bot, gleichfalls übergraut, so daß nur der herrliche blaue Himmel und die hereinscheinende mächtige Sonne ein Zeugnis gab, daß man unter den Lebendigen wandle.</p><p>Am Fuße des steilen Hanges empfingen uns zwei Führer, ein älterer und ein jüngerer, beides tüchtige Leute. Der erste schleppte mich, der zweite Tischbein den Berg hinauf. Sie schleppten, sage ich; denn ein solcher Führer umgürtet sich mit einem ledernen Riemen, in welchen der Reisende greift und, hinaufwärts gezogen, sich an einem Stabe auf seinen eigenen Füßen desto leichter emporhilft.</p><p>So erlangten wir die Fläche, über welcher sich der Kegelberg erhebt, gegen Norden die Trümmer der Somma.</p><p>Ein Blick westwärts über die Gegend nahm wie ein heilsames Bad alle Schmerzen der Anstrengung und alle Müdigkeit hinweg, und wir umkreisten nunmehr den immer qualmenden, Stein und Asche auswerfenden Kegelberg. Solange der Raum gestattete, in gehöriger Entfernung zu bleiben, war es ein großes, geisterhebendes Schauspiel. Erst ein gewaltsamer Donner, der aus dem tiefsten Schlunde hervortönte, sodann Steine, größere und kleinere, zu Tausenden in die Luft geschleudert, von Aschenwolken eingehüllt. Der größte Teil fiel in den Schlund zurück. Die andern, nach der Seite zu getriebenen Brocken, auf die Außenseite des Kegels niederfallend, machten ein wunderbares Geräusch: erst plumpten die schwereren und hupften mit dumpfem Getön an die Kegelseite hinab, die geringeren klapperten hinterdrein, und zuletzt rieselte die Asche nieder. Dieses alles geschah in regelmäßigen Pausen, die wir durch ein ruhiges Zählen sehr wohl abmessen konnten.</p><p>Zwischen der Somma und dem Kegelberge ward aber der Raum enge genug, schon fielen mehrere Steine um uns her und machten den Umgang unerfreulich. Tischbein fühlte sich nunmehr auf dem Berge noch verdrießlicher, da dieses Ungetüm, nicht zufrieden, häßlich zu sein, auch noch gefährlich werden wollte.</p><p>Wie aber durchaus eine gegenwärtige Gefahr etwas Reizendes hat und den Widerspruchsgeist im Menschen auffordert, ihr zu trotzen, so bedachte ich, daß es möglich sein müsse, in der Zwischenzeit von zwei Eruptionen den Kegelberg hinauf an den Schlund zu gelangen und auch in diesem Zeitraum den Rückweg zu gewinnen. Ich ratschlagte hierüber mit den Führern unter einem überhängenden Felsen der Somma, wo wir, in Sicherheit gelagert, uns an den mitgebrachten Vorräten erquickten. Der jüngere getraute sich, das Wagestück mit mir zu bestehen, unsere Hutköpfe fütterten wir mit leinenen und seidenen Tüchern, wir stellten uns bereit, die Stäbe in der Hand, ich seinen Gürtel fassend.</p><p>Noch klapperten die kleinen Steine um uns herum, noch rieselte die Asche, als der rüstige Jüngling mich schon über das glühende Gerölle hinaufriß. Hier standen wir an dem ungeheuren Rachen, dessen Rauch eine leise Luft von uns ablenkte, aber zugleich das Innere des Schlundes verhüllte, der ringsum aus tausend Ritzen dampfte. Durch einen Zwischenraum des Qualmes erblickte man hie und da geborstene Felsenwände. Der Anblick war weder unterrichtend noch erfreulich, aber eben deswegen, weil man nichts sah, verweilte man, um etwas herauszusehen. Das ruhige Zählen war versäumt, wir standen auf einem scharfen Rande vor dem ungeheuern Abgrund. Auf einmal erscholl der Donner, die furchtbare Ladung flog an uns vorbei, wir duckten uns unwillkürlich, als wenn uns das vor den niederstürzenden Massen gerettet hätte; die kleineren Steine klapperten schon, und wir, ohne zu bedenken, daß wir abermals eine Pause vor uns hatten, froh, die Gefahr überstanden zu haben, kamen mit der noch rieselnden Asche am Fuße des Kegels an, Hüte und Schultern genugsam eingeäschert.</p><p>Von Tischbein aufs freundlichste empfangen, gescholten und erquickt, konnte ich nun den älteren und neueren Laven eine besondere Aufmerksamkeit widmen. Der betagte Führer wußte genau die Jahrgänge zu bezeichnen. Ältere waren schon mit Asche bedeckt und ausgeglichen, neuere, besonders die langsam geflossenen, boten einen seltsamen Anblick; denn indem sie, fortschleichend, die auf ihrer Oberfläche erstarrten Massen eine Zeitlang mit sich hinschleppen, so muß es doch begegnen, daß diese von Zeit zu Zeit stocken, aber, von den Glutströmen noch fortbewegt, übereinander geschoben, wunderbar zackig erstarrt verharren, seltsamer als im ähnlichen Fall die übereinander getriebenen Eisschollen. Unter diesem geschmolzenen wüsten Wesen fanden sich auch große Blöcke, welche, angeschlagen, auf dem frischen Bruch einer Urgebirgsart völlig ähnlich sehen. Die Führer behaupteten, es seien alte Laven des tiefsten Grundes, welche der Berg manchmal auswerfe.</p><p>Auf unserer Rückkehr nach Neapel wurden mir kleine Häuser merkwürdig, einstöckig, sonderbar gebaut, ohne Fenster, die Zimmer nur durch die auf die Straße gehende Türe erleuchtet. Von früher Tageszeit bis in die Nacht sitzen die Bewohner davor, da sie sich denn zuletzt in ihre Höhlen zurückziehen.</p><p>Die auf eine etwas verschiedene Weise am Abend tumultuierende Stadt entlockte mir den Wunsch, einige Zeit hier verweilen zu können, um das bewegliche Bild nach Kräften zu entwerfen. Es wird mir nicht so wohl werden.</p></details>



<h2 class="wp-block-heading">Today</h2>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="2400" height="998" src="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm2.jpg" alt="The crater of the Great Cone of Vesuvius today, from the rim path. Photo Horcrux, Wikimedia Commons, CC BY-SA 4.0." class="wp-image-9100" srcset="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm2.jpg 2400w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm2-300x125.jpg 300w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm2-1024x426.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm2-768x319.jpg 768w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm2-1536x639.jpg 1536w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm2-2048x852.jpg 2048w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm2-415x173.jpg 415w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm2-650x270.jpg 650w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm2-250x104.jpg 250w" sizes="(max-width: 2400px) 100vw, 2400px" /><figcaption class="wp-element-caption">The crater of the Great Cone of Vesuvius today, from the rim path. Photo Horcrux, Wikimedia Commons, CC BY-SA 4.0.</figcaption></figure>



<p class="wp-block-paragraph">The Great Cone of Vesuvius; the plain at the foot of the cone, below the ruins of Monte Somma, is the Atrio del Cavallo (probable).</p>



<p class="wp-block-paragraph">Where: Gran Cono del Vesuvio, Parco Nazionale del Vesuvio, Ercolano (NA)</p>



<h2 class="wp-block-heading">Works and documents</h2>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1260" height="679" src="https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere.jpg" alt="Pietro Fabris, the crater of Vesuvius, from William Hamilton's Campi Phlegraei, 1776. SPUN collection." class="wp-image-8459" srcset="https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere.jpg 1260w, https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere-300x162.jpg 300w, https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere-1024x552.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere-768x414.jpg 768w, https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere-415x224.jpg 415w, https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere-650x350.jpg 650w, https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere-250x135.jpg 250w" sizes="(max-width: 1260px) 100vw, 1260px" /><figcaption class="wp-element-caption">Pietro Fabris, the crater of Vesuvius, from William Hamilton&#8217;s Campi Phlegraei, 1776. SPUN collection.</figcaption></figure>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="2218" height="1413" src="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm0.jpg" alt="Pietro Fabris, the cone of Vesuvius in eruption, plate X of William Hamilton's Campi Phlegraei, 1776. Public domain, Wikimedia Commons." class="wp-image-9099" srcset="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm0.jpg 2218w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm0-300x191.jpg 300w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm0-1024x652.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm0-768x489.jpg 768w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm0-1536x979.jpg 1536w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm0-2048x1305.jpg 2048w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm0-415x264.jpg 415w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm0-650x414.jpg 650w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-wm0-250x159.jpg 250w" sizes="(max-width: 2218px) 100vw, 2218px" /><figcaption class="wp-element-caption">Pietro Fabris, the cone of Vesuvius in eruption, plate X of William Hamilton&#8217;s Campi Phlegraei, 1776. Public domain, Wikimedia Commons.</figcaption></figure>



<h2 class="wp-block-heading">AI reconstruction</h2>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1344" height="752" src="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-1787-ricostruzione-ai.jpg" alt="The second ascent of Vesuvius, 6 March 1787: the guides haul the travellers up with a leather strap while the crater hurls stones and ash. AI reconstruction (SPUN, 2026)." class="wp-image-9060" srcset="https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-1787-ricostruzione-ai.jpg 1344w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-1787-ricostruzione-ai-300x168.jpg 300w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-1787-ricostruzione-ai-1024x573.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-1787-ricostruzione-ai-768x430.jpg 768w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-1787-ricostruzione-ai-415x232.jpg 415w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-1787-ricostruzione-ai-650x364.jpg 650w, https://goethe.reise/wp-content/uploads/2026/09/ercolano-vesuvio-seconda-salita-1787-ricostruzione-ai-250x140.jpg 250w" sizes="(max-width: 1344px) 100vw, 1344px" /><figcaption class="wp-element-caption">The second ascent of Vesuvius, 6 March 1787: the guides haul the travellers up with a leather strap while the crater hurls stones and ash. AI reconstruction (SPUN, 2026).</figcaption></figure>



<h2 class="wp-block-heading">Further reading</h2>



<ul class="wp-block-list">
<li><a href="https://goethe.reise/?p=8539">The First Ascent of Vesuvius</a></li>
</ul>



<h2 class="wp-block-heading">Sources</h2>



<p class="wp-block-paragraph">J.W. Goethe, Italienische Reise, original German text (public domain).</p>



<p class="wp-block-paragraph">Translated by A.J.W. Morrison (Goethe&#8217;s Travels in Italy, London, Bell; public domain).</p>


<p>L'articolo <a href="https://goethe.reise/en/grandtour/ercolano-vesuvio-seconda-salita/">The second ascent of Vesuvius</a> proviene da <a href="https://goethe.reise/en/home">Unreal Goethe</a>.</p>
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		<title>The first ascent of Vesuvius</title>
		<link>https://goethe.reise/en/grandtour/ercolano-vesuvio-prima-salita/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ercolano-vesuvio-prima-salita</link>
		
		<dc:creator><![CDATA[spun]]></dc:creator>
		<pubDate>Thu, 17 Sep 2026 17:55:22 +0000</pubDate>
				<guid isPermaLink="false">https://goethe.reise/?post_type=museum&#038;p=8568</guid>

					<description><![CDATA[<p>On 2 March, under a gloomy sky, from Resina by mule and then on foot over the lava of 1771 up to the filled-in crater.</p>
<p>L'articolo <a href="https://goethe.reise/en/grandtour/ercolano-vesuvio-prima-salita/">The first ascent of Vesuvius</a> proviene da <a href="https://goethe.reise/en/home">Unreal Goethe</a>.</p>
]]></description>
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<p class="wp-block-paragraph">On 2 March, under a gloomy sky, from Resina by mule and then on foot over the lava of 1771 up to the filled-in crater. In the smoke Goethe can no longer see his own shoes and turns back: he has reconnoitred the mountain in order to lay siege to it, and brings back a hypothesis on the sublimation of volcanic exhalations.</p>



<h2 class="wp-block-heading">Naples, 2 March 1787</h2>



<div class="ug-audio" data-lang="en" data-voce="de-1787-03-01-neapel-0126" data-src="https://goethe.reise/wp-content/uploads/2026/09/de-1787-03-01-neapel-0126-en.mp3"><button type="button" class="ug-audio__play" aria-label="Listen to the diary page"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/25b6.png" alt="▶" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Listen</button><audio class="ug-audio__player" preload="none"></audio></div>



<p class="wp-block-paragraph">Thursday I ascended Vesuvius, although the weather was unsettled, and the summit of the mountain surrounded by clouds. I took a carriage as far as Resina, and then, on the back of a mule, began the ascent, having vineyards on both sides. Next, on foot, I crossed the lava of the year &#8217;71, on the surface of which a fine but compact moss was already growing; then upwards on the side of the lava. The hut of the hermit on the height, was on my left hand. After this we climbed the Ash-hill, which is wearisome walking; two-thirds of the summit were enveloped in clouds. At last we reached the ancient crater, now filled up, where we found recent lava, only two months and fourteen days old, and also a slight streak of only five days, which was, however, already cold. Passing over these, we next ascended a height which had been thrown up by volcanic action; it was smoking from all its points. As the smoke rolled away from us, I essayed to approach the crater; scarcely, however, had we taken fifty steps in the steam, when it became so dense that I could scarcely see my shoes. It was to no purpose that we held snuff continually before our nostrils. My guide had disappeared; and the footing on the lava lately thrown up was very unsteady. I therefore thought it right to turn round, and to reserve the sight for a finer day, and for less of smoke. However, I now know how difficult it is to breathe in such an atmosphere.</p>



<p class="wp-block-paragraph">Otherwise, the mountain was quite still. There was no flame, no roaring, no stones thrown up—all which it usually does at most times. I reconnoitered it well, with the intention of regularly storming it as soon as the weather shall improve.</p>



<p class="wp-block-paragraph">The specimens of lava that I found, were mostly of well-known kinds. I noticed, however, a phenomenon which appeared to me extremely strange, which I intend to examine again still more closely, and also to consult connoisseurs and collectors upon it. It is a stalactite incrustation of a part of the volcanic funnel, which has been thrown down, and now rears itself in the centre of the old choked-up crater. This mass of solid greyish stalactite appears to have been formed by the sublimation of the very finest volcanic evaporation, without the co-operation of either moisture or fusion. It will furnish occasion for further thinking.</p>



<details class="wp-block-details is-layout-flow wp-block-details-is-layout-flow"><summary>Original German text · Neapel, den 2. März 1787</summary><p>Den 2. März bestieg ich den Vesuv, obgleich bei trübem Wetter und umwölktem Gipfel. Fahrend gelangt&#8217; ich nach Resina, sodann auf einem Maultiere den Berg zwischen Weingärten hinauf; nun zu Fuß über die Lava vom Jahre Einundsiebenzig, die schon feines, aber festes Moos auf sich erzeugt hatte; dann an der Seite der Lava her. Die Hütte des Einsiedlers blieb mir links auf der Höhe. Ferner den Aschenberg hinauf, welches eine sauere Arbeit ist. Zwei Dritteile dieses Gipfels waren mit Wolken bedeckt. Endlich erreichten wir den alten, nun ausgefüllten Krater, fanden die neuen Laven von zwei Monaten vierzehn Tagen, ja, eine schwache von fünf Tagen schon erkaltet. Wir stiegen über sie an einem erst aufgeworfenen vulkanischen Hügel hinauf, er dampfte aus allen Enden. Der Rauch zog von uns weg, und ich wollte nach dem Krater gehn. Wir waren ungefähr funfzig Schritte in den Dampf hinein, als er so stark wurde, daß ich kaum meine Schuhe sehen konnte. Das Schnupftuch vorgehalten half nichts, der Führer war mir auch verschwunden, die Tritte auf den ausgeworfenen Lavabröckchen unsicher, ich fand für gut, umzukehren und mir den gewünschten Anblick auf einen heitern Tag und verminderten Rauch zu sparen. Indes weiß ich doch auch, wie schlecht es sich in solcher Atmosphäre Atem holt.</p><p>Übrigens war der Berg ganz still. Weder Flamme, noch Brausen, noch Steinwurf, wie er doch die ganze Zeit her trieb. Ich habe ihn nun rekognosziert, um ihn förmlich, sobald das Wetter gut werden will, zu belagern.</p><p>Die Laven, die ich fand, waren mir meist bekannte Gegenstände. Ein Phänomen hab&#8217; ich aber entdeckt, das mir sehr merkwürdig schien und das ich näher untersuchen, nach welchem ich mich bei Kennern und Sammlern erkundigen will. Es ist eine tropfsteinförmige Bekleidung einer vulkanischen Esse, die ehemals zugewölbt war, jetzt aber aufgeschlagen ist und aus dem alten, nun ausgefüllten Krater herausragt. Dieses feste, grauliche, tropfsteinförmige Gestein scheint mir durch Sublimation der allerfeinsten vulkanischen Ausdünstungen ohne Mitwirkung von Feuchtigkeit und ohne Schmelzung gebildet worden zu sein; es gibt zu weitern Gedanken Gelegenheit.</p></details>



<h2 class="wp-block-heading">Naples, 3 March 1787</h2>



<div class="ug-audio" data-lang="en" data-voce="de-1787-03-03-neapel-0128" data-src="https://goethe.reise/wp-content/uploads/2026/09/de-1787-03-03-neapel-0128-en.mp3"><button type="button" class="ug-audio__play" aria-label="Listen to the diary page"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/25b6.png" alt="▶" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Listen</button><audio class="ug-audio__player" preload="none"></audio></div>



<p class="wp-block-paragraph">Here you have a few leaves, as reporters of the entertainment I have met with in this place; also a corner of the cover of your letter, stained with smoke, in testimony of its having been with me on Vesuvius. You must not, however, fancy, either in your waking thoughts or in your dreams, that I am surrounded by perils; be assured that wherever I venture, there is no more danger than on the road to Belvedere. The earth is everywhere the Lord&#8217;s; may be well said in reference to such objects. I never seek adventure out of a mere rage for singularity; but even because I am most cool, and can catch at a glance, the peculiarities of any object, I may well do and venture more than many others. The passage to Sicily is anything but dangerous. A few days ago, the frigate sailed for Palermo with a favorable breeze from the north, and, leaving Capri on the right, has, no doubt, accomplished the voyage in six-and-thirty hours. In all such expeditions, one finds the danger to be far less in reality than, at a distance, one is apt to imagine.</p>



<details class="wp-block-details is-layout-flow wp-block-details-is-layout-flow"><summary>Original German text · Neapel, den 3. März.</summary><p>Hier schick&#8217; ich einige gedrängte Blätter als Nachricht von dem Einstande, den ich hier gegeben. Auch ein an der Ecke angeschmauchtes Kuvert eures letzten Briefes zum Zeugnis, daß er mit auf dem Vesuv gewesen. Doch muß ich euch nicht, weder im Traume noch im Wachen, von Gefahr umgeben erscheinen; seid versichert, da, wo ich gehe, ist nicht mehr Gefahr als auf der Chaussee nach Belvedere. Die Erde ist überall des Herrn! kann man wohl bei dieser Gelegenheit sagen. Ich suche keine Abenteuer aus Vorwitz noch Sonderbarkeit, aber weil ich meist klar bin und dem Gegenstand bald seine Eigentümlichkeit abgewinne, so kann ich mehr tun und wagen als ein anderer. Nach Sizilien ist&#8217;s nichts weniger als gefährlich. Vor einigen Tagen fuhr die Fregatte nach Palermo mit günstigem Nordostwind ab, sie ließ Capri rechts und hat gewiß den Weg in sechsunddreißig Stunden zurückgelegt. Drüben sieht es auch in der Wirklichkeit nicht so gefährlich aus, als man es in der Ferne zu machen beliebt.</p></details>



<h2 class="wp-block-heading">Naples, 9 March 1787</h2>



<div class="ug-audio" data-lang="en" data-voce="de-1787-03-09-neapel-0133" data-src="https://goethe.reise/wp-content/uploads/2026/09/de-1787-03-09-neapel-0133-en.mp3"><button type="button" class="ug-audio__play" aria-label="Listen to the diary page"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/25b6.png" alt="▶" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Listen</button><audio class="ug-audio__player" preload="none"></audio></div>



<p class="wp-block-paragraph">The weather here has become dull: a change is at hand. Spring is commencing, and we shall soon have some rainy days. The summit of Vesuvius has not been clear since I paid it a visit. These few last nights flames have been seen to issue from it; to-day it is keeping itself quiet, and therefore more violent eruptions are expected.</p>



<details class="wp-block-details is-layout-flow wp-block-details-is-layout-flow"><summary>Original German text · Neapel, den 9. März.</summary><p>Das Wetter hat sich verdunkelt, es ist im Wechseln, das Frühjahr tritt ein, und wir werden Regentage haben. Noch ist der Gipfel des Vesuvs nicht heiter geworden, seit ich droben war. Diese letzten Nächte sah man ihn manchmal flammen, jetzt hält er wieder inne, man erwartet stärkeren Ausbruch.</p></details>



<h2 class="wp-block-heading">Today</h2>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="7232" height="3008" src="https://goethe.reise/wp-content/uploads/2026/09/vesuvio-cratere-panoramica-2018.jpg" alt="The crater of the Great Cone today. Photo by Horcrux, Wikimedia Commons, CC BY-SA 4.0." class="wp-image-8861" srcset="https://goethe.reise/wp-content/uploads/2026/09/vesuvio-cratere-panoramica-2018.jpg 7232w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-cratere-panoramica-2018-300x125.jpg 300w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-cratere-panoramica-2018-1024x426.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-cratere-panoramica-2018-768x319.jpg 768w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-cratere-panoramica-2018-1536x639.jpg 1536w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-cratere-panoramica-2018-2048x852.jpg 2048w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-cratere-panoramica-2018-415x173.jpg 415w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-cratere-panoramica-2018-650x270.jpg 650w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-cratere-panoramica-2018-250x104.jpg 250w" sizes="(max-width: 7232px) 100vw, 7232px" /><figcaption class="wp-element-caption">The crater of the Great Cone today. Photo by Horcrux, Wikimedia Commons, CC BY-SA 4.0.</figcaption></figure>



<p class="wp-block-paragraph">From Ercolano (the old Resina) to the Great Cone in the Vesuvius National Park; the hermit&#8217;s hut stood near today&#8217;s Vesuvius Observatory.</p>



<p class="wp-block-paragraph">Where: Gran Cono del Vesuvio, Parco Nazionale del Vesuvio, Ercolano (NA)</p>



<h2 class="wp-block-heading">Works and documents</h2>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1260" height="679" src="https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere.jpg" alt="The crater of Vesuvius. Etching after Pietro Fabris, from William Hamilton's Campi Phlegraei, 1776." class="wp-image-8459" srcset="https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere.jpg 1260w, https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere-300x162.jpg 300w, https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere-1024x552.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere-768x414.jpg 768w, https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere-415x224.jpg 415w, https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere-650x350.jpg 650w, https://goethe.reise/wp-content/uploads/2026/04/fabbriscratere-250x135.jpg 250w" sizes="(max-width: 1260px) 100vw, 1260px" /><figcaption class="wp-element-caption">The crater of Vesuvius. Etching after Pietro Fabris, from William Hamilton&#8217;s Campi Phlegraei, 1776.</figcaption></figure>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1133" height="839" src="https://goethe.reise/wp-content/uploads/2026/04/goethevesuvio.jpg" alt="Vesuvius in a watercolour by Johann Wolfgang von Goethe, 1787." class="wp-image-8454" srcset="https://goethe.reise/wp-content/uploads/2026/04/goethevesuvio.jpg 1133w, https://goethe.reise/wp-content/uploads/2026/04/goethevesuvio-300x222.jpg 300w, https://goethe.reise/wp-content/uploads/2026/04/goethevesuvio-1024x758.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/04/goethevesuvio-768x569.jpg 768w, https://goethe.reise/wp-content/uploads/2026/04/goethevesuvio-415x307.jpg 415w, https://goethe.reise/wp-content/uploads/2026/04/goethevesuvio-650x481.jpg 650w, https://goethe.reise/wp-content/uploads/2026/04/goethevesuvio-250x185.jpg 250w" sizes="(max-width: 1133px) 100vw, 1133px" /><figcaption class="wp-element-caption">Vesuvius in a watercolour by Johann Wolfgang von Goethe, 1787.</figcaption></figure>



<h2 class="wp-block-heading">AI reconstruction</h2>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1344" height="752" src="https://goethe.reise/wp-content/uploads/2026/09/vesuvio-1787-salita-ricostruzione-ai.jpg" alt="The ascent of 2 March 1787 in the smoke, AI reconstruction (SPUN, 2026)." class="wp-image-8862" srcset="https://goethe.reise/wp-content/uploads/2026/09/vesuvio-1787-salita-ricostruzione-ai.jpg 1344w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-1787-salita-ricostruzione-ai-300x168.jpg 300w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-1787-salita-ricostruzione-ai-1024x573.jpg 1024w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-1787-salita-ricostruzione-ai-768x430.jpg 768w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-1787-salita-ricostruzione-ai-415x232.jpg 415w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-1787-salita-ricostruzione-ai-650x364.jpg 650w, https://goethe.reise/wp-content/uploads/2026/09/vesuvio-1787-salita-ricostruzione-ai-250x140.jpg 250w" sizes="(max-width: 1344px) 100vw, 1344px" /><figcaption class="wp-element-caption">The ascent of 2 March 1787 in the smoke, AI reconstruction (SPUN, 2026).</figcaption></figure>



<h2 class="wp-block-heading">Videos</h2>



<figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube"><div class="wp-block-embed__wrapper">
<iframe title="Goethe @ Vesuvio" width="422" height="750" src="https://www.youtube.com/embed/ooibj7N0sZ8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
</div></figure>



<h2 class="wp-block-heading">Further reading</h2>



<ul class="wp-block-list">
<li><a href="https://goethe.reise/?p=8539">The First Ascent of Vesuvius</a></li>
</ul>



<h2 class="wp-block-heading">Sources</h2>



<p class="wp-block-paragraph">J.W. Goethe, Italienische Reise, original German text (public domain).</p>



<p class="wp-block-paragraph">Translated by A.J.W. Morrison (Goethe&#8217;s Travels in Italy, London, Bell; public domain).</p>


<p>L'articolo <a href="https://goethe.reise/en/grandtour/ercolano-vesuvio-prima-salita/">The first ascent of Vesuvius</a> proviene da <a href="https://goethe.reise/en/home">Unreal Goethe</a>.</p>
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